James Blake Overgrown Album
James Blake Overgrown Album Zip
James Blake Overgrown Rare

Overgrown

Year: 2013

Artist: James Blake

Label: Universal Republic

James Blake Overgrown Rar Aplikasi Cetak Foto Acef Weiss Ds1-mk3 Collection On Sale. James Blake Discography 7 Releases Remixes 2009 2011 320 k: 276.97 MB: 96: 9. Artist: James Blake Album: Overgrown Released: 2013 Style: Electronic Format: MP3 320Kbps / FLAC Size: 90+7 Mb. Tracklist: 01 – Overgrown 02 – I Am Sold 03 – Life Round Here 04 – Take A Fall For Me 05 – Retrograde 06 – Dlm 07 – Digital Lion 08 – Voyeur 09 – To The Last 10 – Our Love Comes Back. Bonus Track: 11 – Every Day. James Blake- Overgrown.

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This post is in partnership with Consequence of Sound, an online music publication devoted to the ever growing and always thriving worldwide music scene.

Some people were born with the innate ability to seduce. Some can do it with their looks, others with words or behavior. In addition to having really good hair, James Blake can seduce with his voice. His lithe, melodic croon entangles perfectly with elegant electronic arrangements — a distinct style that gives Blake room to move around as a songwriter. He’s always tweaking and evolving his sound, which makes every release an anticipated occasion for fans of nu-R&B and post-dubstep.

Those electronics put Blake on the map. His 2011 self-titled debut was a jittery 40 minutes of unorthodox beats and rhythmic manipulations. Vocals would come and go at a moment’s notice, bouncing from left channel to right channel. Yet there was an ominous mood and cohesion to the music. The album charted well in almost every country except the United States.

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Which brings us to Overgrown, the latest realization of everything Blake’s capable of as a songwriter and vocalist. Building off of recent singles and EPs, he’s crafted an album of full-on electro R&B. Gone is the glitchy dubstep; the mood and cohesion remain. A press release for Overgrown states that Blake worked with Björk, Drake, and Bon Iver when composing the album — and if you listen hard enough, you can hear their ideas being filtered through Blake’s own stylings. The eponymous opening track is just the pattering of a minimal beat and that gentle croon. He’s really improved as a singer, hitting high notes and low notes that he’s never even attempted before. His words are impressionistic metaphors: “If that is how it is / I don’t want to be a star / Or a stone on the shore.”

James Blake Overgrown Album

Naturally, the simplicity of Overgrown downplays the dubstep seen in Blake’s early work. Although not entirely gone, it’s been reduced to small doses. On “Take a Fall For Me,” Blake puppeteers a creepy beat for guest emcee RZA. It’s a strange collaboration, but it works (and gives hope to future hip-hop endeavors). Overgrown’s only other collab is “Digital Lion,” which was produced by Brian Eno. During instrumental passages, we’re treated to an Eno-Blake jam session — Eno supplying the ambient chords, Blake the quivering samples and snares. This is followed by the record’s most disappointing moment, “Voyeur.” It’s the most dance-oriented track here, but it doesn’t lead anywhere, aimless compared to Overgrown’s more developed songs.

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“Life Round Here” might be Blake’s finest composition yet. An ascending/descending piano riff accompanies a drum machine, as Blake gets all ‘90s R&B. When he sings “Part-time love is the life for me,” there’s a hint of Usher in his delivery.

James Blake may lose some fans with the tamer, more sultry sounds of Overgrown. But he’s going to gain a lot more. Without the cut-and-paste dubstep, his music suddenly becomes quite radio friendly (“Life Round Here” screams FM). It’s the ideal sophomore LP: Blake emphasizes and magnifies his finest assets (the croon, the dark romance) for the sake of a better song. Of course, it does help when you’re taking lessons from Björk and Bon Iver.

Essential Tracks: “Overgrown”, “Life Round Here”, and “Digital Lion”

James Blake Overgrown Album Zip

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JAMES BLAKE – Overgrown

01. Overgrown
02. I Am Sold
03. Life Around Here
04. Take A Fall For Me
05. Retrograde
06. DLM
07. Digital Lion
08. Voyeur
09. To The last
10. Our Love Comes Back

These days electronic Wunderkind JAMES BLAKE releases his long awaited second album. Besides the hype around his person and besides a typical music magazine like pigeonholing, JAMES BLAKE is one of the most exciting musicians of our time, highly innovative and again surprisingly eclectic. Hence Overgrown is a beautiful piece of music with a lot of different aspects, from gospel to UK bass, from traditional hip hop to deep minimal techno moments, but always knitted into pop musical moments.

With his early EPs JAMES BLAKE was celebrated as a reformer of bass music, and alongside acts like MOUNT KIMBIE or SEPALCURE named as a second generation of an earlier dub and dubstep music revival, labeled with genre names like post dubstep. The first and self titled longplayer showed his more song-focussed face, including a highly successful cover version of FEIST‘s Limit To Your Love. This was very probably the moment when most people recognized the young electronic music producer from London, with his deep and complex beats, heavy as lead and this broken voice fragile like porcelain.

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His actual release is a development, expectable and logical, but although refreshing. It looks like tracks and sketches became real songs now, also because JAMES BLAKE‘s focus on writing a song maybe has crossed the aim of producing one. This new and matured way of composing added another restructuring and filling element next to the usual brakes, shimmering noises and the typical vocal samples. The opening title track Overgrown is a strong and soulful tune which combines a dub bass with bright strings and a piano, it starts deep and breaks on an epic peak. Followed by I Am Sold, in a similar mood, the album turns a bit more into r’n’b and becomes catchy as hell.

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Next to all those different styles and influences, there are also some surprising feature guests. Take A Fall For Me is an exemplary hip hop tune and brings none other than famous Wu-Tang Clan mastermind RZA, dropping some lines on a fat kick drum and a rattling snare. While Brian Eno shows understatement with producing Digital Lion, which was already released earlier. With Voyeur the sound comes back to Blake’s roots of experimental electronic bass music, but rapidly turns into techno -esque club music with a surprisingly straight four-to-the-floor beat.

James Blake Overgrown Rare

On every minute JAMES BLAKE is able to set his personal bunch of absolutely unconventional sounds and song structures into a ten song album conception, Overgrown Mongol the rise of genghis khan (2007 hindi dubbed watch. works slowly song by song as well as a homogenous longplayer. Even he has passed a new level, his second album is an enchanting and well balanced masterpiece. With its pop and r’n’b refenrences, which are always